The physical structure of the poem is also interesting with these two poems. Naturally, as Raleigh's nymph is turning Marlowe's shepherd's letter of its ear, the same structure is used for the second poem, along with the same metaphors. The imperfect rhyming is also consistent between the two poems. It is unclear what the purpose of the imperfect rhyming ("love" and "move") might be, unless pronunciations were different when these poems were written. If the pronunciations where not different, they could perhaps indicate that the shepherd is not the most literate, and is guided more by passion than by impeccable verse.
The response is effective in part because it contradicts the heavily romantic imagery that the shepherd is using -- madrigals, beds of roses, fragrant flowers. That these are directly argued against in the nymph's reply ("flowers do fade," for example) makes the point that no matter how glorious romance might be at first, the glory of it will wane and cold reality will set in.
The fact that the second poem is a direct reply to the first is interesting. Raleigh could have made the same points independent of Marlowe's work, and so it is interesting that he felt his points could be made more effectively by contrasting them directly with an example of unbridled romantic...
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